
'The Dark Knight' is possibly the best film I've seen all year.
‘The Dark Knight’ is a human epic the likes we rarely see today arriving in theaters…or anywhere else, for that matter. The intricately-developed thematic structure of this “summer” film keeps blowing my mind the more I think of it. And with good reason: this is perhaps the most intelligent blockbuster I’ve seen for quite some time. The Nolans (the famed writer-director, Chris, and his fellow writer and partner, Jonathan) digged deep into the moral ambiguity of the characters, particularly that of Bruce Wayne and The Joker, manipulating both personas’ own emotional worlds and twisting the story masterfully to fit those needs.
The story basically pits the entire criminal world against “the Bat-man” after years of being oppressed by the caped crusader himself. They’re mad about the recession in delinquent activity (ie. money stealing and laundering) they’re experiencing thanks to Batman’s relentless watch over Gotham City. That’s where the Joker comes in, tauting himself as a “savior” by offering a seemingly straightforward solution to the underworld’s torment: get rid of “the Bat-man” himself. And The Joker is, indeed, the definitive catalyst in this film.

Heath Ledger and Maggie Gyllenhaal are both fantastic in their roles.
Everything that happens is ultimately his doing, and his presence is intentionally felt during the entire duration of the film. Be it a piece of dialogue that mentions his name or the arresting piece of music composed to evoke his image, the world revolves around him. Which is why Heath Ledger’s interpretation of this iconic villain never ceases to amaze me. His versatile (but consistent) voice, peculiar mannerisms and random behavior, coupled with a fantastically-written role, sharply cuts the screen in two like many of the knives he uses as weapons. Without question, his portrayal of the chaotic character is poised to occupy a place in the annals of cinematographic history.
Having said that, this is still an ensemble piece, and without a group of actors and actresses this good, Chris Nolan wouldn’t have been able to deliver the same raw emotional intensity you see on screen when experiencing this film. Every single one of these people is on point with their characters, delivering subtle but relevant performances that elevate this film to greatness. Special nods go to Aaron Eckhart for his admirable performance as Gotham’s District Attorney (and knight in shining armor) Harvey Dent and the always great Gary Oldman as Lt. James Gordon. Christian Bale’s Wayne/Batman roles were perfected with this film, putting an end to the debate of which is the “definitive” Batman actor.

This is director Christopher Nolan's definitive masterpiece.
At two hours and thirty-two minutes, this piece of flamboyant storytelling flies by without a single glimpse back. Tonally, ‘The Dark Knight’ is certainly darker than its great predecessor, but in no way ceases to be as entertaining. It’s perfectly balanced and paced, with never a slow moment on screen. In conclusion, I left my seat fully satisfied of what I had witnessed, and that makes me a very happy film enthusiast. It filled on all my expectations, and in some cases exceeded them. I’m not afraid to say that I think this is director Christopher Nolan’s best work, and to those who know me, yes, I believe this easily surpasses his work on both Memento and The Prestige, huge favorites of mine.
This is the definitive Batman film, and a crime drama for the ages.
PD. Special thanks to all the people who has delighted me with their feedback and suggestions on the blog (in particular, my best friend). Keep ‘em coming!
Thanks for reading. : )
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